Ways and Sounds (the book) Audio Edition

by patrick brennan

	/

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1.	Introduction 01:38	buy track
2.	________Part One / The Stuff_________ #1 What is it to Listen? 01:20	buy track
3.	#2 A Paradox around Defining “What” Music is 02:43	buy track
4.	#3 What is it that Musicians Do? 01:41	buy track
5.	#4 "Musician" in 3 Attitudes 09:47	buy track
6.	#5 Structure, Composition and Sociality 02:38	buy track
7.	#6 Anthropogenic Sound 04:09	buy track
8.	#7 Personics 04:43	buy track
9.	_________Part Two / Structures:______ #8 Composing from the Inside Out 08:22	buy track
10.	#9 Composing from the Outside In 08:09	buy track
11.	#14 The Jam Session’s Metacomposed Interactions. . . . . . . . . . (1) Metacomposing the Jam Session - #10 Interactive Structures: Monological & Dialogical Organization. . . . . . . . . . . . (1) Interactivity 01:41	buy track
12.	#10 (2) Monological Structure 06:17	buy track
13.	#10 (3) Dialogical Structure 04:49	buy track
14.	#10 (4) Rippling Inaudibilities 04:31	buy track
15.	#10 (5) Irresolvabilities 09:35	buy track
16.	#11 Notation (part 1) 11:28	buy track
17.	#11 Notation (part 2) 09:03	buy track
18.	#12 Metacomposition 07:20	buy track
19.	#13 Metacomposition and 4’33” 03:56	buy track
20.	#14 The Jam Session’s Metacomposed Interactions. . . . . . . . . . . . . . . . (1) Metacomposing the Jam Session 08:33	buy track
21.	#14 (2) Links and Foundations 09:16	buy track
22.	#14 (3) Adorno’s Jam Session Expertise 06:30	buy track
23.	#14 (4) Social Philosophy of Polyrhythm 09:02	buy track
24.	#14 (5) Repetition, Connection, Continuity 04:38	buy track
25.	#14 (6) Metacomposition’s “Paltry Stock” 03:17	buy track
26.	#14 (7) Provincially Cosmopolitan 02:16	buy track
27.	#14 (8) Mycellium to the Forest 01:05	buy track
28.	#15 The Garden of Free Improvisation. . . . . (1) Blank Boundaries 05:01	buy track
29.	#15 (2) How Free is Free? 07:03	buy track
30.	#15 (3) Free: Not Easy 03:01	buy track
31.	#15 (4) Free Association 03:31	buy track
32.	#16 Mixed Strategies: Composing for Improvisers (1) 04:29	buy track
33.	#16 Composing for Improvisers (2) 09:35	buy track
34.	#16 Composing for Improvisers (3) 03:16	buy track
35.	#17 The Conduction Synthesis 09:56	buy track
36.	Part Three / Other Thoughts:________ #18 The Electronic Trickster................ #18 (1a) Musician 03:52	buy track
37.	#18 (1b) Musician 08:50	buy track
38.	#18 (1c) Musician 02:45	buy track
39.	#18 The Electronic Trickster ............ #18 (2a) Producer 04:03	buy track
40.	#18 (2b) Producer 02:40	buy track
41.	#18 (2c) Producer 02:16	buy track
42.	#18 (2d) Producer 03:15	buy track
43.	#18 (2e) Producer 04:44	buy track
44.	#18 (2f) Producer 02:53	buy track
45.	#18 (3) Ghosts & Spectres 09:31	buy track
46.	#18 (4) Flipping the Archival 04:52	buy track
47.	#18 (5) Instrument 12:21	buy track
48.	#18 (6) Soundscape 10:05	buy track
49.	#19 The Sociality of Rhythm ............ #19 (1) God’s Eye View 14:05	buy track
50.	#19 (2) Microbeats 07:37	buy track
51.	#19 (3) Better Behaved Metrics 04:11	buy track
52.	#19 (4) Hyperrhythms in Waiting 03:50	buy track
53.	#19 (5) Inhabited Rhythm 03:47	buy track
54.	#20 Hearing 04:32	buy track
55.	#21 It Would be Nice to be Right 03:57	buy track
56.	Coda 00:56	buy track

about

The Book — in Audio

Ways & Sounds is an inquiry into the nature & condition of music from within the process of doing it. Throughout this book, there’s a reach toward reinventing a language for thinking & talking about music.

www.patrickbrennansound.com/ways-and-sounds.

deep dish DD-105

credits

released December 20, 2020

Text read by patrick brennan

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about

patrick brennan New York, New York

patrick brennan has participated in the Blues Continuum as composer, saxophonist & bandleader since the 1970s, continuously pursuing a contrarian & independent musical path of discovering & inventing original music.

patrickbrennansound.com

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